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Ray Bradbury Discussion Board
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![]() Update on "Fahrenheit 9/11" (Page 4)
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| Author | Topic: Update on "Fahrenheit 9/11" |
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TheTaupinfan Junior Member |
Dear Ray, In regards to your protest about Michael Moore using Farenheit 9/11 as the title of his film, I suggest you get over it. There is a noticable difference between Farenheit 451 and Farenheit 9/11. It was probably a tribute to your title, take it as the compliment it most likely was, and get on with your life. IP: Logged |
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dandelion Moderator |
Here is a series of articles, including one on...to phrase it politely...certain inaccuracies in Moore's assertions: http://entertainment.msn.com/movies/movie.aspx?m=561592&mp=p>1=3584 IP: Logged |
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bellgreen Junior Member |
April 2003, John Ashcroft's Justice Department disrupted what appears to have been a horrifying terrorist plot. In the small town of Noonday, Tex., F.B.I. agents discovered a weapons cache containing fully automatic machine guns, remote-controlled explosive devices disguised as briefcases, 60 pipe bombs and a chemical weapon — a cyanide bomb — big enough to kill everyone in a 30,000- square-foot building. Noonday, Texas – William Krar – Noonday to Crawford – 190.56 Miles Waco, Texas – David Koresch – Noonday to Waco – 166.36 Crawford, Texas – George Bush – Crawford to Waco – 24.20 Miles An old saying by Nietzsche is that "A casual stroll through the A casual stroll through east Texas is not unlike a jaunt through a "How fortunate for leaders that men do not think." Adolf Hitler "It is forbidden to kill; therefore all murderers are punished "When I despair, I remember that all through history the way of "Any government that supports, protects or harbours terrorists is "Political language... is designed to make lies sound truthful and Southern Partisan: "Setting the Record Straight" --John Ashcroft, Southern Partisan magazine interview (Second IP: Logged |
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dandelion Moderator |
http://www.imdb.com/news/sb/#2 IP: Logged |
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Sweet Dave Junior Member |
Re this: I'm actually Moore... I mean MORE disturbed that Michael Moore's title alludes to one of Bradbury's works. As far as I'm concerned, Moore could well be the best propoganda writer for 1984's ministry of information. Bradbury, on the other-hand, is a writer of integrity, real imagination, and heart. Are you out of your MIND or just a CIA plant? Michael Moore is doing the EXACT same thing with facts that Ray Bradbury did with fiction in his book. Not only should RB NOT have a problem with MM's work and re-jiggering of the title, he should be publicly applauding him for the important work he is doing! Wake up, Dude - the Neo-Nazi's are large and in charge in the White House, with the result being that Amerika has become the police state they so desperately want as part of their "Great Plan" for world domination. (Couple of examples aside from the Patriot Act: Let's see, the Supreme Court just ruled that it's perfectly okay for the police to ask you for your ID even if you're just walking down a road minding your own business, and the Federal Government just overruled the Washington State government and said that it's okay to have "random searches" of cars on ferryboats. Good-bye Fourth Amendment, it was nice to know ya!) And how much do you wanna bet some "terrorist act" will occur on the Fourth of July this year that The Illuminati will blame on China or North Korea? Hello WW III, the U.S. and China duke it out until all their resources are expended and then let's all wave and cheer as worldwide martial law is declared by a U.N.-led "peacekeeping army." In closing and in all fairness, MM does have a way of sometimes being a little too "screechy" but that in no way takes away from the excellent and incredibly important information he's providing to a populace kept too long in the dark by Illuminati-controlled media that would rather show you Paris Hilton taking a dump than pictures of innocent Iraqi and Afghani women and children slaughtered by U.S. cluster bombs as we make their countries "safe for democracy." Remember, anytime you see the word "security" you should substitute "control," and anytime you see the word "democracy" substitute "oil exploration." IP: Logged |
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pindik Junior Member |
ATTENTION! ATTENTION! All members of the Ray Bradbury message board community NARD KORDELL is a true champion, and winner. If you post something that he doesn't like he will shame you with his wit and smarts, so badly that you will cry. Again I repeat NARD KORDELL is a true champion. IP: Logged |
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pterran Member |
Sigh. IP: Logged |
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jeanblackqueen Junior Member |
1. You cannot copyright a title. Moore could have called the film Gone With The Wind if he wanted to. 2. He didn't use the same title although he could have see 1. He used a reference to the title. IP: Logged |
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teetop Junior Member |
I just want to say that unless Ray Bradbury cleared "I Sing the Body Electric" with the Walt Whitman estate--to cite one example--than he is a hypocrite and a jackass on this one. Even in the unlikely event that he did, I still think he's the latter. Too bad, because he used to be a really good writer. IP: Logged |
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pterran Member |
Double sigh. IP: Logged |
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Nard Kordell Member |
............................. jeanblackqueen ........... teetop In the media world today, there are no rules. It's a jungle of greed, politcs and literary corruption. Moral arguments are invalid. Absolute truth no longer fashionable. Must you hold to these 'rules' in order to come up with your judgments? How else, otherwise? IP: Logged |
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teetop Junior Member |
Nard, I'm not sure what your point is. In any event, my point is that Moore playing off of Bradbury's work to make his title is no different and no more or less moral than Bradbury's use of quotes from Shakespeare, Whitman and others in titling his works. I'm sorry Ray doesn't like it, but once you put something out there you really don't have any control over what your readers (including other artists) do with it. Ray needs to grow up. Even if he doesn't like Moore personally or artistically, he should understand that the title is a tribute and testimony to the continuing relevance of his own work. It's sad that one of our best living writers can't see this and is instead making himself look very foolish in public. IP: Logged |
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Nard Kordell Member |
teetop You actually got the point: You don't get it! IP: Logged |
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teetop Junior Member |
Whatever. Ray's wrong on this one. Only a sycophantic fanboy could think otherwise. IP: Logged |
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pterran Member |
Teetop, You say sycophantic fanboy as if that's a bad thing. Seriously, why not take some time and browse some of the other threads? Your argument has been brought up, and disposed of, before. But perhaps there's something new you'd like to add. Best, Pete IP: Logged |
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Mr. Dark Member |
Couldn't agree more. These are all false issues that have been addressed ad infinitum here. This is, of course, the problem with Moore -- whatever your politics -- truth is often an inconvenience. Moore is not a documentatarion, he is a propagandist. This is not necessarily evil, but it's important to keep the distinction in mind. This characteristic of blindly moving forward in the face of evidence may be part of why so many of these posters are Moore fans. [This message has been edited by Mr. Dark (edited 06-24-2004).] IP: Logged |
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teetop Junior Member |
Actually, Moore is a satirist, which combines elements of the documentarian and the propagandist alongside that of the comedian. The satirist's art consists of starting with a factual basis and then extrapolating situations out to the logical extreme of absurdism. But, to the larger issue at hand, if declaring this a 'false' issue is more palatable to you than admitting that Bradbury may be wrong, so be it. IP: Logged |
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Nard Kordell Member |
I would actually like to see the '''Fahrenheit 9/11''' movie. But I'm afraid I would be totally surrounded by screaming, jeering theater goers who went from the postings of the Bradbury site, to the seats at the theater I was at. IP: Logged |
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teetop Junior Member |
I'm going to go this weekend, I'll email you about it. IP: Logged |
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dandelion Moderator |
Well, Ray Bradbury was wrong about no one going to see the movie, and the person who said Michael Moore would make millions appropriating Ray's title was right: http://money.cnn.com/2004/06/24/news/midcaps/fahrenheit.reut/?cnn=yes IP: Logged |
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Mr. Dark Member |
"Michael Moore's "Fahrenheit 9/11" took in a whopping $21.8 million in its first three days, becoming the first documentary ever to debut as Hollywood's top weekend film." Excerpted from Yahoo!news site this morning. Congratulations to Moore, except I wouldn't call it a documentary, exactly. I would note that there were NO significant releases this week, which helped. But, I'll give credit where credit is due. He is an excellent self-promoter. IP: Logged |
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lmskipper Member |
But don't you think that when you hear that the movie "White Chicks" was in second place, with only about $2 million less, that puts it in a whole different light? ![]() IP: Logged |
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Interfector Junior Member |
Sweet bleeding Christ. As the droves of Bradbury supporters clash ideologically with the legions of Michael Moore supporters, there seems to be hardly any tolerance here for any outside perspective. For starters, there has been some talk about the difference between Bradbury lifting his titles directly and Moore using Bradbury's title as a basis for the title of his film. What Moore did is not illegal... far from it. Bradbury is not merely a hypocrite, but an insensate dunderwhelp. He seethes in mock disgust at Moore for having dared use the title of his most beloved work. I, for one, will be glad to burn my copy of Bradbury's book, however I think it should be noted that the author is likely suffering from dementia praecox, or else some nightmarish writer's disease. Let's leave the poor guy alone. And for the record, I don't really give a damn what arguments have been "disposed of," pterran. Frankly, you and your worthless ilk are not the authority. If Bradbury didn't contact the ghost of Shakespeare before publishing "Something Wicked This Way Comes," then he really has no authority. Also, calling Moore's film "propaganda" without having seen it is an abject and humiliating expression of unchecked hostility and greenhorn desperation. The film is a bona fide documentary, regardless of its political bias. If you disagree with that, soak your head. There are no works of history, and there never have been. There are works of some historical merit, even some penned by Bradbury, but that isn't the same thing. History is necessarily incomplete, and whether Michael Moore is a propagandist for saying that the Bush family has ties with the Saudis and the Taliban, or that George W. knew about 9/11 before it happened, or otherwise that our president is a terrible, evil, and (for a cheap shot) utterly inarticulate loser, well... let's leave that one for the history books to decide. Yours sincerely, Me. IP: Logged |
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pterran Member |
Interfector, Welcome and thanks for writing. I’d prepared a fuller response but realized you might construe a counter-argument as being intolerant of outside perspective. Instead, let’s allow your post stand and speak for itself. Trust me: it speaks volumes. Though possibly not in the way you intended. Best, Pete IP: Logged |
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Interfector Junior Member |
Pterran, Or should I call you Pterranitza? Your meritmongering and extravagantly inerudite, purposeless quiritations are by anyone's standards incontrovertible proof that any metagrobolized and infinitely bamblustercated wannabe-Internerd with low self-esteem and disgracefully finite semi-cognitive "ability" can, without resortion to pricelessly moronic non-sequiturs and vomitworthy obiter dictum, "compose" what most would doltishly "observe" as an admittedly ineloquent riposte to a publically embarrassing verbal indignity, ahem, such as we have prsently seen. Most sincerely yours, The guy who picks his teeth with insignificant gobemouche like you for a living! Excelsior! IP: Logged |
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Nard Kordell Member |
interfector... ...intercedes with slings and arrows from places where indigenous whelps and wasps write, where ''what's thats'' to the ''wishy washies'' and ''waste wallowers'' live, some less in wisdom than chance. There, too, wandering whistlers whistling where one never whistles. Dare be motes of honor found in this formative body ? Upsettings tailored by Moore produce but a wink in that mountain made by earthquakes and world shakings, lava and spitting flame, and tumbling avalanches of rock and spewings of thunder. Thus born the prose of long ago summers, and far away Mars, and dark dark circuses at night that undrape evil. Have you missed it all by words with temperatures? Look back. Look back, and see the work. It lines up like shining pillars as far as the eyes can see, and further still, where the heart now sees instead. Mock one so grand who thrills the hearts of the yet to be born, who someday read and wonder and bring in grander futures? Why complain this fahrenheit distaste? Whimpering simmering sons and friends and foes alike, not another pedestrian like this will pass so soon. When gone, why see how poor, how poor all truly are. [This message has been edited by Nard Kordell (edited 06-29-2004).] IP: Logged |
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Mr. Dark Member |
Interfector: Big words do not an argument make. Again, the idea that if an argument has been disposed of doesn't matter to you is a typical Moore characteristic. You should read the other posts and understand the issues, then find out what Ray really said, THEN make a contribution. If you don't see the difference between using a phrase or title from a classic that's been in the public domain for hundreds of years, and usurping a living writer's work to promote political propoganda, it is difficult to see a basis of discussion. It's not a legal issue. It's about class. Something Moore has shown over and over again that he doesn't have. IP: Logged |
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pterran Member |
Interfector, Sigh. I think I’m being insulted but I’m not really sure. Here’s something you might not know about people like me: simple and direct works best. Your profile says you’re a writer; I’d be willing to bet you’ve heard that advice from an editor before. Okay, then. Rather than try to cut through the gobbldegook of your last post, let me visit your first post: You’ve mistaken counter-arguments for intolerance of outside perspective. There are plenty of examples of outside perspective on this site, yours included. Doesn’t sound like Moore illegally lifted Bradbury’s title. But then that was the accusation made by Moore’s supporters. When Bradbury says he wants his title and book back, he’s not accusing Moore of illegal action. It’s called a metaphor. Yes, Bradbury has used lines and titles from other writers. Lines and titles of works in the public domain though I’m fairly confident if those writers were alive today, they’d be proud to have their work associated with Bradbury. I’m not sure the same could be said about Moore’s work. Not yet, at least. (You’re right about one thing: I’m not the authority. By implication, that must mean you know who is. Care to share this person’s name? It wouldn’t be you, would it? Naw. Didn’t think so.) As you say, history will be the judge of Moore’s work. It’s already judged Bradbury’s work, which will be celebrating its 50th anniversary soon. You’d agree that F-451 is a major literary work, wouldn’t you? I mean, Moore certainly does. That’s why he tried to tie in to the title. I just wonder how Moore’s work will be viewed in 50 years. To some extent, Moore’s work has already been judged by history: he’s already cultivated quite a reputation for being a manipulator of truth. You might not think so but perhaps Bradbury does and, thus, explains why Bradbury didn’t want to be associated with Moore. You may assert F-9/11 is a “bona fide” documentary but that would differ from Moore’s own characterization. He said the work should be considered an Op-Ed piece. Nope. Haven’t seen the movie and won’t. I’ve explained my reasons elsewhere but none of them include “unchecked hostility” and “greenhorn desperation,” whatever that is. A disadvantage, I know. You’ll notice, however, that I’ve limited my comments to what I’ve read about the movie and what others have said about it. I’ve never pretended that was a substitute for viewing the movie. It isn’t. Now, wipe the foam from your lips, reach for your thesaurus, and dazzle us with a response. I, for one, look forward to it. Best, Pete P.S. Sorry. The Pterranitza reference flew right by me. If it makes you feel better to call me that, feel free. My screen name’s pterran but my real name’s Pete. Be comfortable, is all I insist. Pete IP: Logged |
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Interfector Junior Member |
Ah, such replies do not with frequency occur, as the sodden wailings of people with nothing better to do pick and meander, flail and, sadly for their authors, fade from memory like the flickering of fireflies into the faceless void. If there are any good writers here, I'd love to chat. Elseways, there is little in the way of lexical agility to speak of... is that so much to ask? I never said that "big words" (i.e., any word that you can't understand) make a good argument. I merely implemented their use as a way of insulting my dear friend, Pterraitza. And yes, I knew that your name must be Peter... you've scarcely let anyone forget it, what with your more than three thousand posts to this very forum. I do not care where you go. Would that it were away, for the very sight of your words onscreen is an embarrassment to humankind. Floccinaucinihilipilificated jackanapes! IP: Logged |
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Mr. Dark Member |
Do you write to impress or communicate? IP: Logged |
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pterran Member |
Interfector, Man, those are some fancy words you’re using. But you’re right: big words don’t make for an argument. Neither do insults. If you’d care to make a point, preferably one about Bradbury, since this is, after all, a Bradbury site, feel free to do so. May I make a correction, though? I haven’t quite posted three thousand times. (Yeah, I know. You’re using a rhetorical flourish. Sort of like the big words you like to use. We get it, all right? Sheesh.) According to records, it’s more like 352 since April of 2002. To save you time researching, that’s somewhat below the average for a long time poster on this board. But I will concede that you managed, in three posts, to make yourself look like a bigger fool than than I could’ve in 352. For that kind of efficiency, I commend you. Best, Pete IP: Logged |
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Nard Kordell Member |
pterran Take the interfector as just another chap from the Windy City. Do you think he knows anything about Green Town, just a few miles north of his typewriter? IP: Logged |
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pterran Member |
Nard, Maybe he'll tell us. Best, Pete IP: Logged |
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Korby Member |
I wonder just how many of those words interfector knows the meaning of. And if interfector's truly from the Windy City, well, I'm just happy I reside in another state. IP: Logged |
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dandelion Moderator |
Are you sure he's from the Windy City or the Blowhard City? IP: Logged |
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qwerty Junior Member |
Ray Bradbury has called Michael Moore an "asshole" and a "thief", complaining that his book title was stolen. Is Bradbury a right-wing hack, or just an old curmudgeon? He has acknowledged that book sales for Fahrenheit 451 have risen as a direct result of Moore's movie, yet is screeching like a cat in a hot tub. Does he also think the producers of "Escape form LA" stole their title from "Escape from New York"? If Bradbury is so wounded, why doesn't he just sue Michael Moore (the publicity of which would cause his book sales to soar)? It would certainly be in character for a conservative(?) to promote censorship, and (win or lose) make money in the process. Really Ray, who's the asshole? IP: Logged |
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paddyryan Junior Member |
I love how anyone who disagrees with Moore and can't stand his approach to filmmaking is automatically a right-wing hack or an old nut who's lost their mind to age. Really, accusations like these are becoming tiring when repeated over and over and over and over... IP: Logged |
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pterran Member |
Paddyryan, Megadittoes. Best, Pete IP: Logged |
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dandelion Moderator |
It seemed to me I'd heard that song before. IP: Logged |
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Interfector Junior Member |
Petey, you've really proven yourself. You say that insults do not win arguments, and I concur. Funny, then, that you would end your response with an insult. Funny, as in: queer. Queer, as in: curious to thinkers and imbeciles alike. Perhaps you are a bigger hypocrite than Bradbury. More than a possibility, I would wager, given your status as resident henpecker. I wasn't trying to best you in any argument, and anyone who knows what an insult looks like would attest to that. No, I was merely excercising a bit of self-restraint by not telling you what I really think of you. And for the record, I know all of the words I use. I know, for example, that our dear Petey suffers from copremesis, one of the more pleasant symptoms of what President Bush might refer to as "miseducation." The Windy City, incidentally for all of you addlepated lusus naturae, is so called because of blowhards. Ergo, any joke connecting such themes is both indefatigably weathered and (for all those who care about silly things like concinnity) none too subtle. But hey, who am I to complain? Oy vey, the humanity! Well, sadly, I must leave you for another day. I have things to do, unlike someone who admits to having posted so many times to a single web-board. I wonder how it must feel to be so stupid. Does it hurt? Do you really believe that your opinion of me, based solely on inferences made after having read less than a page of my words, is somehow, magically acceptable? If so, I question your deliberative strategies, your laughable struggle with fairness, and more than anything your opportunistically finger-wagging portrayals of people you don't know in the least as misguided know-nothings. I could make your head spin with words you'd never comprehend, even if you had all the dictionaries, and while this may not assist yours truly with his arguments, neither does baseless self-assuredness, you mewling coprophage. Cry me a river, won't you? I'm not going to hold your hand any more, but I'm certain that yours shall be a star of brightest luminance. Please refrain from humiliating yourself any further, at least until you have mastered the art of breathing through your pemphigoid nose, exclusively when necessary. IP: Logged |
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