Ray Bradbury is a storyteller without peer, a poet of the possible, and,
indisputably, one of America's most beloved authors. In a much celebrated
literary career that has spanned six decades, he has produced an astonishing
body of work: unforgettable novels, including FAHRENHEIT 451 and
SOMETHING WICKED THIS WAY COMES; essays, theatrical works, screenplays
and teleplays; THE ILLUSTRATED MEIN, DANDELION WINE, THE OCTOBER COUNTRY,
and numerous other superb short story collections. But of all the dazzling
stars in the vast Bradbury universe, none shines more luminous than these
masterful chronicles of Earth's settlement of the fourth world from the
sun.
Bradbury's Mars is a place of hope, dreams and metaphor-of crystal pillars
and fossil seas-where a fine dust settles on the great, empty cities of
a silently destroyed civilization. It is here the invaders have come to
despoil and commercialize, to grow and to learn -first a trickle, then
a torrent, rushing from a world with no future toward a promise of tomorrow.
The Earthman conquers Mars ... and then is conquered by it, lulled
by dangerous lies of comfort and familiarity, and enchanted by the lingering
glamour of an ancient, mysterious native race.
Ray Bradbury's THE MARTIAN CHRONICLES is a classic work of twentieth-century
literature whose extraordinary power and imagination remain undimmed by
time's passage. In connected, chronological stories, a true grandmaster
once again enthralls, delights and challenges us with his vision and his
heart-starkly and stunningly exposing in brilliant spacelight our strength,
our weakness, our folly, and our poignant humanity on a strange and breathtaking
world where humanity does not belong.

Chapter One
January 2030
Rocket Summer
One minute it was Ohio winter, with doors closed, windows locked, the
panes blind with frost, icicles fringing every roof, children skiing on
slopes, housewives lumbering like great black bears in their furs along
the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea
of hot air; it seemed as if someone had left a bakery door open. The heat
pulsed among the cottages and bushes and children. The icicles dropped,
shattering, to melt. The doors flew open. The windows flew up. The children
worked off their wool clothes. The housewives shed their bear disguises.
The snow dissolved and showed last summer's ancient green lawns.
Rocket summer. The words passed among the people in the open, airing
houses. Rocket summer. The warm desert air changing the frost patterns
on the windows, erasing the art work. The skis and sleds suddenly useless.
The snow, falling from the cold sky upon the town, turned to a hot rain
before it touched the ground.
Rocket summer. People leaned from their dripping porches and watched
the reddening sky.
The rocket lay on the launching field, blowing out pink clouds of fire
and oven heat. The rocket stood in the cold winter morning, making summer
with every breath of its mighty exhausts. The rocket made climates, and
summer lay for a brief moment upon the land....
February 2030
Ylla
They had a house of crystal pillars on the planet Mars by the edge of
an empty sea, and every morning you could see Mrs. K eating the golden
fruits that grew from the crystal walls, or cleaning the house with handfuls
of magnetic dust which, taking all dirt with it, blew away on the hot
wind. Afternoons, when the fossil sea was warm and motionless, and the
wine trees stood stiff in the yard, and the little distant Martian bone
town was all enclosed, and no one drifted out their doors, you could see
Mr. K himself in his room, reading from a metal book with raised hieroglyphs
over which he brushed his hand, as one might play a harp. And from the
book, as his fingers stroked, a voice sang, a soft ancient voice, which
told tales of when the sea was red steam on the shore and ancient men
had carried clouds of metal insects and electric spiders into battle.
Mr. and Mrs. K had lived by the dead sea for twenty years, and their
ancestors had lived in the same house, which turned and followed the sun,
flower-like, for ten centuries.
Mr. and Mrs. K were not old. They had the fair, brownish skin of the
true Martian, the yellow coin eyes, the soft musical voices. Once they
had liked painting pictures with chemical fire, swimming in the canals
in the seasons when the wine trees filled them with green liquors, and
talking into the dawn together by the blue phosphorous portraits in the
speaking room.
They were not happy now.
This morning Mrs. K stood between the pillars, listening to the desert
sands heat, melt into yellow wax, and seemingly run on the horizon.
Something was going to happen.
She waited.
She watched the blue sky of Mars as if it might at any moment grip in
on itself, contract, and expel a shining miracle down upon the sand.
Nothing happened.
Tired of waiting, she walked through the misting pillars. A gentle rain
sprang from the fluted pillar tops, cooling the scorched air, falling
gently on her. On hot days it was like walking in a creek. The floors
of the house glittered with cool streams. In the distance she heard her
husband playing his book steadily, his fingers never tired of the old
songs. Quietly she wished he might one day again spend as much time holding
and touching her like a little harp as he did his incredible books.
But no. She shook her head, an imperceptible, forgiving shrug. Her eyelids
closed softly down upon her golden eyes. Marriage made people old and
familiar, while still young.
She lay back in a chair that moved to take her shape even as she moved.
She closed her eyes tightly and nervously.
The dream occurred.
Her brown fingers trembled, came up, grasped at the air. A moment later
she sat up, startled, gasping.
She glanced about swiftly, as if expecting someone there before her.
She seemed disappointed; the space between the pillars was empty.
Her husband appeared in a triangular door. "Did you call?" he asked irritably.
"No!" she cried.
"I thought I heard you cry out."
"Did I? I was almost asleep and had a dream!"
"In the daytime? You don't often do that."
She sat as if struck in the face by the dream. "How strange, how very
strange," she murmured. "The dream."
"Oh?" He evidently wished to return to his book.
"I dreamed about a man."
"A man?"
"A tall man, six feet one inch tall."
"How absurd; a giant, a misshapen giant."
"Somehow"--she tried the words--"he looked all right. In spite of being
tall. And he had--oh, I know you'll think it silly-he had blue eyes"'
"Blue eyes! Gods!" cried Mr. K. "What'll you dream next? I suppose he
had black hair?"
"How did you guess?" She was excited.
"I picked the most unlikely color," he replied coldly.
"Well, black it was!" she cried. "And he had a very white skin; oh, he
was most unusual! He was dressed in a strange uniform and he came down
out of the sky and spoke pleasantly to me." She smiled.
"Out of the sky; what nonsense!"
"He came in a metal thing that glittered in the sun," she remembered.
She closed her eyes to shape it again. "I dreamed there was the sky and
something sparkled like a coin thrown into the air, and suddenly it grew
large and fell down softly to land, a long silver craft, round and alien.
And a door opened in the side of the silver object and this tall man stepped
out."

"A tour de force."
Denver Post
"The red planet Mars has fascinated humans for centuries. Many books and movies have been made about travel to it-the very best being Ray Bradbury's THE MARTIAN CHRONICLES."
Omaha World-Herald
"A poetic and beautiful fantasy."
Portland Oregonian
"THE MARTIAN CHRONICLES holds up well to a reading half a century after it was first published….Bradbury stage-manages remarkable sensual and emotional verbal effects that evoke vast tides of beauty, nostalgia, and hope, and he does this verve and simplicity and a profound sincerity….Much of the writing is breathtaking in a delicate sense, and there are passages that made me wish today, as longingly as that 11 - or 12-year-old did many years ago to ride a jade-green insect to the Blue Mountains, to sleep amid the rain trees, and to hold an ancient manuscript that sang its words as my hand passed over its surface."
Memphis Commercial Appeal
"Not only is Bradbury the best author in the entire world, this book is his greatest piece of work. Story after story, he leaves you in total wonderment. His stories are so well-written that when you're done reading them, you think you were actually there in the first colony on Mars."
Anchorage Daily News
"More than the 'hard science' fiction of contemporaries like Isaac Asimov and Arthur C. Clarke, Bradbury's MARTIAN CHRONICLES put the romance in space flight…. Bradbury's Mars stories work because they are about people, not machines."
Kansas City Star
"A modern classic."
Washington Post
"A landmark book."
Fort Lauderdale Sun-Sentinel